Author Archives: Theo Nestor

4 New Year’s Resolutions for Memoirists

Want to finish  your memoir this year? Here are four resolutions to help you create an enduring memoir that transforms your individual experience into a universal one that speaks to a wide readership. 1. This year I will make myself … Continue reading

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Two Good Reasons to Read Twyla Tharp’s The Creative Habit

I first learned of Twyla Tharp’s book The Creative Habit from Claire Dederer, author of Poser: My Life in Twenty-Three Yoga Poses, when she quoted Tharp during a guest lecture for my memoir class. The quote? “You don’t really have … Continue reading

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The Question that Haunts: How to BE now?

It was a single candle that broke me open this morning. I stood outside the French doors of my new writing buddy’s house and peeked into her living room at my spot where I write while she works at the … Continue reading

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How to Keep on Writing that Freaking Book!

Question: When is 9 months “a year”? Answer: When the 9 months is spent in a manuscript class. I teach a memoir manuscript class here in Seattle at Hugo House. The class runs 9 months from September to June, and … Continue reading

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For the Love of Lynda Barry

To love the work of an artist or writer you believe has not received due recognition is its own special hell. You’re doomed to an infinite loop of recitation as you eternally rattle off X’s accomplishments and chant reminders of … Continue reading

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Martin Luther King, Jr.: The Writer

We writers sometimes fall into thinking that we must have the perfect conditions to write–the cafe thrumming with activity but not too much activity or the pristine den where a carefully curated playlist cheers us on. But the truth is … Continue reading

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“I want to double down on me.”

I’ve been pretty obsessed with Jill Soloway’s series Transparent this winter break, which led me to reading Ariel Levy’s fabulous profile of Soloway in The New Yorker titled “Dolls and Feelings.” There are a dozen reason why any emerging writer should read this profile, but the juncture of Soloway’s story that keeps replaying in my head is the one at which her career was at its lowest point and she made the decision to “double down” on herself. Continue reading

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