Moonlight and all the conversations surrounding this film. I’m touched by the autobiographical impulse behind Moonlight; the vulnerability of the writer and the director, Tarell Alvin McCraney and Barry Jenkins, and the complexity of the protagonist, Chiron; and the simple elegance of the film’s three-part structure. Listen to the Fresh Air interview here and read the New York Times profile of McCraney and Jenkins here.
Elissa Washuta’s My Body Is A Book of Rules.Form as Content is alive and well and living in the pages of this brilliant book. We just read this book together in my UW Memoir class, and I so appreciate the dozen containers for discourse Washuta uses to embody the book’s central theme described by the author as “my failed attempts at mastery over my own body.” The thing I dig the most: Washuta’s use of Law & Order: SVU scripts. So clever, so poignant.
My brand new New York Times Sunday paper subscription. There couldn’t be a better time to subscribe to the Times, and the arrival of the paper on my front step Sunday at dawn brings me an absurdly disproportionate experience of living the high life. (Jordan Peele embodies this feeling with inimitable panache here). The cost of the Sunday subscription includes full digital access (which you can share with two friends!).
Shonda Rhimes’ Year of Yes. I’ve been rereading passages from this book routinely as if it carries the secret of life, or maybe just the secret of being disarmingly casual on the page.